Showing posts with label Cumbia. Show all posts
Showing posts with label Cumbia. Show all posts

Thursday, July 24, 2008

Cumbia Article So Glossy and Fly


Two weeks in LA in the sun is never a bad thing and I'm back in the winter less pale and excited about the dope article that's in the current issue of Urb in The States. It was massive to write and fun to get to see some more of this city where I live and to get inside a fresh music movement I'm liking from the dance floor.

The article lives online too, Synths of Resistance: Argentina's Digital Cumbia, but it's so good in actual print! Real-life zine reading is more literary, less cursory or something. Just you and the pulp from the tree, getting down.


My head is full of visuals and audio from driving around Lost Angeles, getting to meet new progeny and seeing adjustments in the landscape. Best part of the trip for me, homies in the hometown, of course. Max's favorite moment was recording with Dr. Oop and Nucleus in the Victorian neighborhood of USC. There was some kind of ill connection between the four of us, for his first West Coast jam. There were cardboard boxes and finger snapping for beats, the acoustic guitar we'd bought to bring back to Gustavo, and Nucleus' storytelling that included tales from Fairfax High. We had a Fairfax moment, punctuated by a question.

Nucleus: "You went to Fairfax too, oh, what year did you graduate?
Eve: "'91" (chant-style, represent)
Nucleus: "That's the year I was born!"




Yes, I was celebrating a distinguished birthday that week, with stylie girlfriends in glorious LA backdrops. But my presents were toys, our pasta included pumpkin, wine-soaked strawberries and mascarpone stood in for cake, and there was a squabble between the girls and the security guard on the hotel roof. Toothy grinning, middle thirty came in alright. Thing is, every bday needs to be appreciated for the moment of exactly where you are at, never to repeat. For the age-haters, there's the fact that next year will be older, so this year is youthful in comparison with what's coming, right? I'm feeling lucky for the past year's fun, appreciate the hard knocks for sensibility earned, looking forward to what's headed my way, wide-eyed, anticipating the best possible scenario because why jinx yourself, boludo?

One foot here and one still in NYC, I ran through LA enjoying the weather, KCRW, and old friends and family who remain Angelenos and proud. Pick up that homespun Urb then, Hollyhood, and soak up something from South of Mexico. Argentine Cumbia's Zizek is in LA with shows this weekend, Saturday at the Echo and at the Getty Sunday.

I keep meeting people who live between Buenos Aires and the US or Europe and I'm thinking about why we do it. Right now I choose this city over the glowing American West Coast or fabulous Sexo in the City NYC and over any other foreign address. Like the rest of the expats I meet, I live here for the onda.

I checked in at the gate at LAX with the Chilean airline LAN, always LAN, never Delta, and was reminded why the crumbling streets of BA come in first choice. The continent is one big cooperative and this city likewise. Maybe I was around too many hippies as a kid, the people and lifestyle fit me. Every stranger is almost your friend, no phony smiles, no tense, overworked undercurrent. People live the good life in BA, without multiple trips to the mall. People treat each other right, have time and peace of mind to think. People know who they are and generally what they want and act like they know. When a CIA-induced coup murdered President Allende in the 70s, Argentina had just voted in socialism, so you get me. If the coup hadn't been successful, the nation never would have been taken over by the military dictatorship that swiftly annihilated 30,000 Argentines under its rule. Thanks to imperialist intervention, politics have remained in the hands of greed. But the society at large is still a co-op.

In 2008 as a foreigner, it's an amazing place to set yourself up for success, even if the economy is a poo butt. They're living what is our American heartbreak, they're back when it didn't matter how much money you have access to, when people were polite and walked the little old ladies across the street, when we spoke to neighbors.

The pace and style here explain why retro is nostalgic rather than moldy. For me, here and now is the good old days. Here, you can go to the hospital without approval from bad guys in insurance. Groceries are getting more expensive but they're still within budget, all organic and fresh from the local farm. People pat the heads of stray dogs and random passing toddlers and no one is scared to touch each other. It could inspire us Yanks. It's always a shock jumping between worlds, but I'm glad to get back to the underdeveloped and go raw like Ol Dirty.

Saturday, December 1, 2007

Cumbia, Tango, Manu Chao, and a Drumline

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La Mona Jimenez is to Argentine cumbia what James Brown is to funk - so they say. Wednesday night I went to Luna Park for the first time(where Evita is fabled to have met Juan Peron) and witnessed the man, the myth, in action.
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Luna Park is a stadium venue and it was full of sweaty folks dancing, jumping and yelling for La Mona. La Mona is a man in his fifties who struts his way across the stage accompanied by a band of over ten musicians including horns, drums, bass, guitar, percussion, and accordion. His name is a play on el mono - Spanish for "the monkey." He's pretty wild looking; with a mane that looked like a Geri-curl and three costume changes - each of them more Captain Eo than the next. La Mona did have some soul happening, despite the cumbia/quarteto strut, but I saw more Neil Diamond going on than James Brown. This photo is pure Ricardo Simmons: Photo Sharing and Video Hosting at Photobucket

La Mona put on a great show with special guests, crowd surfing, dancing with chicas from the crowd, TV cameras and all. The show gave me new insight as to how Ricky Martin stays popular as a mainstream sex symbol in Argentina - the whole show wasn't very hetero and the audience ate it up. The crowd was great - mostly on the grimier side and singing along and dancing with La Mona. Outside of Palermo you see the plebian side of this city and it's cool. The crowd didn't feel unlike that of a soccer game at the Sports Arena in South Central LA. (For more La Mona coverage peep me at www.argentinastravel.com)
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Friday night La Chicana played at El Tasso. It was a gorgeous, dinner theater set up at a tango venue where the band plays when its not on tour. They're my favorite - a live, modern, female-fronted tango band. Dolores sings and her husband plays fancy acoustic guitar. They're accompanied by accordion, percussion, violin, and bass. The singer is in her mid-forties, gorgeous, and sounds great. The couple have excellent chemistry on stage - she's saucy and smart and he's smitten and sarcastic. The lyrics tell stories of love, life, and struggle with a nostalgic tone. There's even a tango written for their dogs.

Photo Sharing and Video Hosting at PhotobucketThere was a rumor that Manu Chao was going to play a free concert near San Telmo. We made our way to the spot - a psychiatric hospital on the industrial side of the town center. We walked back past the main ward and other buildings to an outdoor ampitheater and smaller buildings that resembled summer camp. There was Manu surrounded by patients - doing a live radio broadcast with the inhabitants of the compound. It was a big turnout full of dreadlocks and super Manu fans as well as residents of the hospital. It went on for hours while patients performed spoken word, sang songs, performed stand-up, and freestyled. Manu played between bits. The show culminated in a video with a full band including horns and percussion. It was an inspiring show and the rain held off just until it was finished. Photo Sharing and Video Hosting at Photobucket
We made our way back to San Telmo and caught a parade of drumlines and dancers two blocks from our house, all along the park. There were drumlines/marching bands representing different neighborhoods with dancers in costume and off the street. I finally got to see some indigenous drums and dancers up close and enjoy the local flavor.


Snoop Dogg and B-Real of Cypress Hill were here for Personal Fest, Buenos Aires' Coachella (not even close but not a bad festival for a place where you have to use a match to light your stove). Snoop made it happen and made me so proud! His Uncle Junebug was the other star of the show, dancing his way down the outdoor stage runway, so fresh.
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Tego Calderon played too and I got to have an NYC reggaeton moment. His dancers were hotter than Uncle Junebug and you wouldn't know if from the pic but that's saying something, yo. For more on the show and the rest of the musical happenings click: www.argentinastravel.com and scroll through this past week. Peep the Argentinas Travel Guide for the low down on the city - beyond personal thoughts and cat photos!

This weekend is the house warming party - I'll try to get plenty of pix for you folks. Next up is a retrospect of the visit and shows in NYC...